By Robert Bateman

An beautiful selection of Robert Bateman's fresh works, all reproduced the following for the 1st time in booklet shape, Bateman: New Works is released in honor of the artist's eightieth birthday and lines seventy five full-color reproductions of work depicting either North American and foreign flora and fauna scenes. Bateman stocks his knowledge on nature, environmentalism, schooling, and the position of paintings within the maintenance of wasteland, in addition to black-and-white sketches and observation on particular works. Bateman: New Works is a vital addition to each Bateman assortment, or a delightful creation to the paintings of this respected and iconic artist.

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Although I am best known for my paintings of nature, I am also drawn to domestic scenes that evoke memories of earlier times. ” There was, and still is, great merit in the “small is beautiful” world, when people took care of themselves and put things together with their own hands, and when human beings were closer to nature. We need to move in that direction again. Old farmhouses and barns, stone fences, a lone windmill—these are reminders of a time when human activities had a gentler effect on the environment.

In Serengeti Dusk, it was risky to combine gold leaf with a realistic image, but it was worth the try. For Still Life with Chinese Scroll, I was thinking of the peace and elegance of the tokonoma, an alcove often found in Japanese homes and teahouses, where special artwork, calligraphy, or flower arrangements may be displayed. The scroll in the painting was purchased in a Kyoto antique store, but it was painted in China in the nineteenth century in Japanese style. The pot is by Wayne Ngan, one of Canada’s foremost potters.

The pot is by Wayne Ngan, one of Canada’s foremost potters. Although Wayne is of Chinese descent, his work shows a strong Japanese influence. The wild rose hips and snowberries are from our laneway. Vermeer was present in my psyche while I did this piece. The light comes from the window. My challenge was to show the crinkles in the scroll in that oblique light. I recalled Vermeer’s The Art of Painting with its crinkled map on the wall. indd 59 10/06/02 3:20 PM P redators and prey have always fascinated people, perhaps because of our ancestry as hunter-gatherers.

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Bateman: New Works by Robert Bateman
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